The luxury watch maker published the announcement in its sustainability report, also committing to considering animal rights and how to reduce suffering, after an update to its ESG policy CFJ supported the company with.

CFJ's report revealed that less than 4% of British Fashion Council member brands have any emissions reduction targets.

Clare Press’ renowned Wardrobe Crisis podcast features our founder, who discusses why animals so often left out of the conversation about sustainable and ethical fashion.

CFJ’s reporting on fashion media’s lack of attention towards animal protection issues is featured alongside quotes from director Emma Hakansson.

“Part of the issue is “the way that fashion separates the animal from the final product”, says Håkansson, whose organisation consulted with Copenhagen fashion week.”

Should advocates for a better fashion future focus on working within the industry, promoting responsible innovation, or should they pressure from the outside? Which is most effective? This article, featuring our founder, explores this worthy question.

Vogue Business’ Senior Sustainability Editor Rachel Cernansky covers our CIRCUMFAUNA initiative’s new calculations on the environmental impact of leather.

“Retailers including Selfridges, Asos and Boohoo have mislabelled real feathers as “faux,” according to a new investigation by ethical fashion advocacy group Collective Fashion Justice and animal welfare organisation World Animal Protection.”

An exclusive story on Copenhagen Fashion Week’s decision to ban fur, following engagement with World Animal Protection and Collective Fashion Justice.

Collective Fashion Justice is proud to be the primary partner for the newly released film ‘SLAY’ — which unravels the harrowing, dark side of the fashion industry.

Our founder spoke to Fashion Journal’s editor about Melbourne Fashion Week’s new policy, which CFJ is proud to have consulted on.

Our investigation with Andy Meddick MP of the Animal Justice Party, supported by World Animal Protection found cat fur and other mislabelled items being sold.

“Big Wool wants you to believe it’s nice to animals and the environment. It’s not”, writes Vox’s Future Perfect Deputy Editor, after reviewing CFJ reporting and research.

CFJ’s Emma Hakansson was interviewed in Rachel Deeley’s piece on the use of animal head effigies in fashion and the message of inherent violence it portrays.

A fashion editorial featuring crocodile-free, total ethics accessories and styling is accompanied by an article on the inherent cruelty of the crocodile skin industry.

CFJ’s Emma Hakansson was interviewed in Antonia Lenon’s piece on Gen Z’s insatiable appetite for new clothes in the online world.

CFJ founder Emma Hakansson writes about the ecological impact of leather for environmental publication and organisation Earth Island Institute.

Leading Melbourne newspaper, The Age, covers the findings of CFJ’s commissioned testing, which found mislabelled fur from abused animals on sale.

Central Queensland’s paper covers the film festival selections CFJ’ short film Willow and Claude has received internationally.

CFJ’s Emma Hakansson writes about the many people who are mistreated and endangered in the production of animal-derived materials.

CFJ’s founding director writes about the many ethical problems tied up in the production of wool, from mulesing and beyond.

In Issue 5 of Moss Magazine in print and digital, the term ‘total ethics fashion’, coined by CFJ’s founder, is explored and defined.

Fashion writer Sascha Camilli writes on climate and fashion, with expert interview quotes from our founding director, speaking on the industry’s impact.

When we look at the mainstream ethical fashion movement, we see a deep care for the lives of garment workers, and the planet — next to clothing made of animals. Why is that?

CFJ’s founding director is a regular writer for this outlet, and in this particular article, explores how wood-based and animal-derived materials cause deforestation.

CFJ board member Unique Vance was interviewed in Yahoo’s piece exploring greener, plant-based innovations that are made of wide-ranging total ethics alternatives to animal materials.

CFJ founder Emma Hakansson writes about the inefficiency and destructiveness of wool production, as well as a call to non-animal agriculture orders to restore healthy ecosystems.

Investigative footage from Australian farms owned by luxury brand Hermés has exposed the crocodile skin industry. When will fashion evolve beyond exploiting wild animals for the sake of fashion?

As people and industries abandon archaic practices in the face of climate change, we aspire towards a cutting-edge eco elegance. These are the materials we’ll be wearing in 2030.

CFJ’s Emma Hakansson talks us through some of the issues facing animals in the fashion industry and how we can help protect them through what we wear.

CFJ founder Emma Hakansson and board member Joshua Katcher were quoted as experts on circumfaunal total ethics materials, which must replace conventional animal-derived leather, in this exploration by Kaley Roshitsh.

Ethical fashion celebrated at special event hosted by Collective Fashion Justice and World Animal Protection — featuring the work of trailblazing, cruelty-free and sustainable Australian labels.

Country & Town House sat down for a Q&A with Rebecca Cappelli, the producer and director of ‘SLAY’ — a feature documentary Collective Fashion Justice is involved in.

CFJ’s Emma Hakansson features in investigative documentary, ‘SLAY’, which provides unique perspective on the animal skin trade, asking the searching question: is it acceptable to kill animals for fashion?

Sophie Hirsh explores the destructive impact of leather on the environment, through key findings in Collective Fashion Justice’s report on ‘leather’s impact on the planet’.

CFJ founder Emma Hakansson writes about the pollution-intensive process of transforming wool into textile and its role in changing the climate of our planet.